Eclipse
Makes Me Love You [1999]
Bini & Martini is a duo composed of house music producers and DJs Gianni Bini and Paolo Martini, from Italy. They are known under a variety of pseudonyms, including House of Glass, Eclipse, The Goodfellas and The Groovelines.
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The Pogues
The Pogues is a Celtic punk band from London, formed in 1982 and fronted by Shane MacGowan. The band reached international prominence in the 1980s and early 1990s. MacGowan left the band in 1991 due to drinking problems but the band continued first with Joe Strummer and then with Spider Stacy on vocals before breaking up in 1996. The band, including MacGowan, reformed in 2001 and has been playing regularly ever since.
VanVelzen
Roel van Velzen (stagename VanVelzen) is a Dutch singer, songwriter and piano player. He was born on March 20, 1978 in Delft, the Netherlands.
On stage he sings, while playing keyboard, or electric guitar in songs that don't need keys. He can play drums too, although he is just 1.50 metres tall, which equals less than 5 feet.
He is known for releasing covers of songs which aren't that well known in The Netherlands. He released his debut single, 'Baby Get Higher', in 2006.
The B.C. 52's
The B-52's are an American rock band that formed in 1976 in Athens, Georgia, United States. A major part of the new wave scene, the band started out as Fred Schneider (vocals), Kate Pierson (vocals, organ), Cindy Wilson (vocals, bongos), Ricky Wilson (guitar), and Keith Strickland (drums). After Ricky Wilson died in 1985, Strickland replaced him as a guitarist. They're perhaps best known for their 1978 single "Rock Lobster" and their 1989 pop smash "Love Shack".
The name comes from the bouffant wigs that are part of the band's distinctive look, worn by singers Cindy Wilson and Kate Pierson. Along with Wilson and Pierson, fellow vocalist Fred Schneider, drummer (and later guitarist) Keith Strickland, and guitarist Ricky Wilson (Cindy's older brother) formed the band after a drunken night at a Chinese restaurant. They shared a passion for mixing and matching older styles with a partying, good-time public image, which set them apart from many staid 70s contemporaries.
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